Dear fellow scientists, clones, robots and the rest of the scum of the earth,
another year has bitten the bullet, met it"s match, done it"s deeds and
gone from dust to ashes. In a few hours of CET time, 2006 will exist no
more. And my hopes, dear reader, is that DRM goes the same way. Straight
to hell.
I predict and will do my utmost to make 2007 the Year Of The MP3 / The
Death Of DRM. My hopes is that 2007 will be looked on as the year music
came back on track. Call med naive, call me crazy, call me a genius but I
think that humans in general, when given the opportunity, quite simply
is an honest and well meaning bunch of nice fellas. If given a choice,
most people are willing to pay for and protect their purchased music
themselves.
It is a dubious example, but AllOfMp3.com was insanely popular. For a
good reason. I even used it a few times myself, if I wanted to check out
some new artist and couldn"t get hold of what I wanted from Bleep or
iTunes. It wasn"t free, and I do fear the money went into the pockets of
drunk russians instead of the original artist, but it worked very well
for the end users; you and me.
From the view of a consumer, the solution was perfect. The end user
payed what I think a lot of people found a reasonable sum (a lot of
people, including myself, thought it too cheap), there was a huge
catalogue of music, and everything was instant. It just worked, no fuzz.
It is very important for me being able to copy the music to my Nokia
phone, or my iPod, or my USB memory stick, or send a song to my sister
via email or bluetooth it to a friend I meet in a bar. I dont have to
think or plan how to use the music.
This isn"t hurting music, at all, I think it benefits music. If there is
to be a limit to how much you share, the limit should be
transparent/invisible to everyday users looking to share with friends,
but cumbersome for individuals intending to mass-pirate. And in my
humble but brilliant opinion; the easiest way to make it difficult to
mass-pirate, is to make it unnecessary to pirate.
I am already working on a system for selling sweet beautiful DRM free
mp3s directly from my very own label website. Earlier this year I bought
out all rights to my music from previous contracts, meaning I have
total control of every single little 0 and 1. Yes, there is a plan
behind everything I do even if it looks totally chaotic. (I keep telling
myself this so I hope its true.) Within short time you will be able to
purchase everything from Uncanny Planet directly on site. What a great
start for 2007!
Here is to a better digital future for music in 2007. Cheers! May the http be with us.
(Updated Jan 4th rewrote some poor grammar/formatting.)
I
hereby introduce a new internet acronym: CWT. Crying While Typing. It
hurts my heart so much to limit this list of albums I experienced in
2006. There were a lot to pick from, so I ended up selecting albums that
met two criteria: I really liked them AND I really listened a lot to
them. There were many albums I liked but didn"t end up listening to. I
also must point out that some of these releases are late 2005 and didn"t
reach my lab until 2006, because the caravans doesn"t go during the
winter.
This year"s list sees some old timers making a comeback, some shocking
alternatives and some new kids on the block. Where possible, I link to
Bleep.com for instant mp3 preview/purchase.
Posted December 30th 2006, at 08:07 with tags list, 2006, film
2006
is approaching its termination pretty fast, and if I am to fulfill my
own ambition of presenting narcissistic lists of the best within major
medias, I must accelerate and stop blabbering so much around each. Here
goes, the best 5 films i experienced this year.
I finally got myself an American iTunes account, and got me some TV show
goodies, amongst others I picked up old Lost In Space episodes. And
then I found the best TV series I have seen in ages, probably since Twin
Peaks. It"s better than Carnivale. Heroes.
Posted December 21st 2006, at 20:14 with tags list, 2006, game
I
am currently swamped in work, and xmas is looming like a dark cloud
before the storm, but I"m having a late night break and a beer and here
goes the list of the 5 most awesomest games I played this year. Again,
as always, many of the games were not released in 2006, some are as old
as 2004, but I finally found time to play them this year. And that is
what matters.
Posted December 21st 2006, at 08:12 with tags music, wiki, web
If there is a buzzword that captures the zeitgeist of music right now,
it must be "Music 2.0". I think it"s a bit daft, the whole Web 2.0 thing
is a bit too buzzwordish, but it also summarizes the concept really
well. And the "2.0" term is slowly growing into a meaningful meme more
than a marketing buzz.
I think music right now is on the verge of a paradigm shift. Perhaps not
even on the verge, we could be right in the middle of it. There is so
much going on, so much potential, it is really hard to tell where we are
heading. But one thing is for sure: Everyone involved; fans, artists,
clubs, labels, record shops and agents will see changes to their world,
both good and bad.
Jason Herskowitz has created the Music 2.0 wiki.
It was just born, and doesn"t contain much yet. But it will be
interesting to watch it evolve, and the sum of everything within, could
give a glimpse into the future of music. Now please excuse me, I have to
go create the music of that future.
Posted December 19th 2006, at 08:15 with tags pulp, xmas, music
If you are one of those heathens that celebrate the capitalist-religious
mashup festivity called christmas, this could make a fantastic gift. A pulp book cover for your iPod! Complete with library card.
If you also give an iPod inside, preferably filled with excellent pulp christmas music, I am sure the receiver will announce you the best giver ever. I know I would.
Posted December 18th 2006, at 12:12 with tags robot, cow
For the robots and their revolution, this technological breakthru is
definitely a step (or four) in the right direction towards total world
domination and human race wipeout.
But what is most scary in this clip, is the music that will accompany the apocalypse. The horror!
Posted December 16th 2006, at 08:17 with tags list, 2006, book
Update Dec 16th: Finished the post, moved to top.
First out in the "Most Memorable 2006"
lists is my most dearest. The books. They are often monochrome, with
hardcoded resolution and font, no cut copy paste or search, and when
traveling in groups they are heavy. But even thou the technology is at
least more than 100 years old, fictional literature has been my best
friend since before I could read. I loved books before I knew there were
worlds within.
I won"t http you to Wikipedia for the books, since they have full
synopsis and give it all away. In full
consumer-capitalist-christmas-compliance I will link them to Amazon for
your instant purchase bling-bling relief. And since I have no sense of
time just sense of quality, the list is not of books released in 2006,
but books *I* read in 2006. Which is what matters.
Posted December 15th 2006, at 22:22 with tags No tags.
Creative Commons is 4 years old today. Happy Birthday!
So this is a ncie time to announce that everything released by me /
Ugress in 2007 will be released under the Creative Commons Sampling
license. Read more in my journal.
The Creative Commons
organization and concept is 4 years old today, December 15th. (CC, if
you are copyright-illiterate, provides free tools for marking creative
works with the freedom the artist wants.)
I sample a lot.
I think sampling, in it"s most fundamental meaning, is a vital and
inevitable part of our culture and art. All art is built upon previous
art, there exists no artwork that is absolutely independent. Everything
in nature and culture must come from and build upon something. Musical
sampling takes this to a very tangible (and sadly economical) level.
Skillfull musical sampling
creates goodness out of existing material, and changes the original
source(s) to a new sum larger than the individual parts. And of course, lame sampling
probably does the opposite. What is skillfull and what is lame is
highly subjective, as just hyperlinkstually demonstrated, and the
difference between the two can be blurry at best. This subject is
über-interesting! But alas not the subject of this text.
The main problem with musical sampling, and the reason for this post, is
not the quality of the sampling or the artwork. The problem, in my
opinion, is the copyright and licensing bit. Musical sampling is a
highly concrete form for creative evolution. You actually use a defined
piece of something, instead of an abstract idea or general technique.
This means in many cases the source, the original work, is evident in
the new work. Which again means the original author usually comes
running for bling bling. I think this stiffles creativity and art. It
shouldn"t be like that.
This is a theoretical minefield. I"m not even in agreement with myself. I
want to live off my music, control it, and get paid for the use of it,
but I also want art to be free. I don"t like rules and limits, but I"m
not sure how I would feel if P Diddy took one of my songs and raped it. I
would have no problem paying a reasonable sum for using a sample.
Problem is, the cost is usually disproportional to the actual value, and
it takes a man a years work getting the permission.
I do not know if Creative Commons is the solution. But it is a step in
the direction of an artistic world I would like to live in and worth a
try. So here goes the money where my mouth is.
Everything I release in 2007, will be released under the Sampling License from Creative Commons.
Which means you still have to buy the CD, it doesn"t mean the music is
free, or can be use freely for everything. It means the music is free to
sample, mash-up, or otherwise creatively transform, for commercial or
noncommercial purposes. A little disclaimer: Naturally I can only
guarantee this for works where I control 100* of the rights.
Posted December 13th 2006, at 08:21 with tags bad-ass, robot, list
Since this journal clearly is in a frenzy of robots and lists, there is no way I could avoid to mention this beautiful list that would make Sarah Connor go postal. Make benefit Ten Bad-Ass Bots from Valleywag.
Today I accidently fried my beloved Amiga 500. Something really burned
inside and the machine is dead as driftwood. The studio reeks of melted
circuits and burned dust.
I needed some early 90ies R&R, and I can"t afford the newest
Playstation Gameboy 180. So I turn to my trusty 16 bit multimedia
retro-wonder. But I couldn"t get neither Kick Off nor Sim City to start,
so i decided to try wiggle the RAM card, it"s been flaky at the best.
When reinserting the power cord, zap bam boom. Or, not so dramatically,
it just said "piooong" very softly, like the sound you imagine when
old-skool TV sets are turned off. And the unmistakeable fragrance of
electronic extinction filled my nostrils.
What a sad day. I guess that"s techno-karma balancing out for making fun of robots the other day. Skynet knows.
Gordon Bennet
create robots of old mechanical parts like I make music from old vinyl.
His parts are found in garbage dumps, at construction sites and at
garage sales amongst others. The robots look like steampunk"ed
retrofuturic souls. Each robot is hand built and unique. If you
absolutely must give me a present for xmas, this could pass.
I just spent a whole day, that means 16 working hours uploading tracks,
fumbling with CSS, battling that disaster-area and hellhole of design,
usability and superficiality called MySpace. And it still looks like crap. The most horrible element is that Windows 3.11 media player. AFAIK it"s un-CSSable.
I"m not actively pursuing a MySpace career, I don"t think MySpace is
gonna be around forever. So I think I"m better off pouring most of my
http-energy into my own websites, like here. I remember mp3.com, just
like MySpace, it was a good thing at the time, but eventually the world
moved on. We are now, gentlemen, at the so-called "web 2.0" and I think
MySpace was one of the earliest 2.0 phenomena. Time has not fared well
with it, especially graphically. And it"s owned by a dubious character.
But that doesn"t mean I"m totally ignoring it either. Ach nein! What is
bad is also good. The community is vast, there is a lot of potential biz
for artists, labels, clubs and agents. It is, by any definition, the
worlds largest social network.
So you can rest assure I"m working day and night to sculpt and finetune
an overpimped slowloading blinking drop-shadowed rainbow-gradient
background youtubical slideshow infected collage-feist of friends,
flyer-comments, and favorite pet animal sodapop commercials. All the
lemmings are going to love me and I don"t have to do anything MySpace
will make me rich and famous and cool and Tom will beg me to be his
friend for REAL this time.
Late as usual, since even your granduncle blogged about this earlier
this week. But this one is too good to pass up, even if it"s been
slouching in the inbox for a few days. I have no idea what the
commercial is about, or even if it is a commercial. But everything in it
is AWE-ZOME, from the matrixesque koto players, to the cinematography,
via the synced breaking slash ballet choreography, via the beatboxing
via the classical musical references. It"s mashup essence goodness.
Oh, I just thought of something! An x-mas wish! That youTube goes HD and surround sound. Please please please.
Diidn"t take long before enterprising nerds with hearts of gold started turning the Nintendo Wiicontroller into a musiical gesture iinstrument. Turns out the bluetooth chip inside is generic, so blue-benders, start your engines.
Even the braiins over at Max/MSP forums
are working on it. I am sure we will reach criitical mass and the
Wiimote will be making sweet MIIDI data lovebursts wiithin short time!
Posted December 8th 2006, at 08:32 with tags wifi, xmas
Remember that post three, four posts ago? The one about christmas decorations killing Wifi? Well a lot of people think I hate christmas. They are bloody right.
But I"m not überevil, no no no. And I certainly respect that other
people make benefit christmas like I benefit MIDI. If you want the both
of best worlds; you want your Wifi screaming and your X-mas dreaming, I
hereby in true christmas spirit provide you the solution:
The Charlie Brown Pathetic Tree.
The tree is made of metal (it probably strengthens your wifi!) and the
ornaments are kept to a minimum. And it certainly expresses my feelings
for this jolly holiday.
RIAA represent the recording companies. Recording companies are becoming extinct due to digital distribution.
Artists can reach fans directly, music lovers can find music directly,
promotion agencies handle the promotion, and the pressing and posting of
a physical CD is well, a donkey"s job. Problem with the music biz, the
donkey"s getting all the money.
I wonder what they will think of next. Compulsory RIAA income tax?
If this "association" and their members does not extinguish themselves
by their own stupidity and obsolescence within a few years, I"m going to
have a serious word with Mr Darwin about his theories.
It"s a sad sad day for us mad scientists. One of our highest regarded
fruitcakes and most benefit crazybrained Dr James "Mad Nully" Anderson,
appears to be teaching his theories in regular school! WTF? What happened to his lab? The castle? His secret funding? Where is his adorable mutant assistant?
I tell you, folks, it"s hard being a mad scientist these days. Most of
us have fallen back on day jobs, but it hurts my heart to see James sink
so low as public school. And it breaks my brain to see his over-the-top
crazy excellent theory of "nullity" being taught to stupid maggot
schoolchildren. What happened to world domination plans, Dr Anderson?
Posted December 7th 2006, at 08:36 with tags wifi, xmas
Ha! An excellent reason to skip that pesky christmas this year. A study from Airmagnet
concludes that WiFi signal drops with 25* strength when christmas
decorations are present. Even that wunderbaum of a tree is a horrible
http-over-the-air blocker!
More information and background info on the company at Engadet.
Talking about that horrible holiday. Check out these excellent and heartwarming Scared Of Santa pictures.
<Flashback> Earlier this year I released the Nanokaravan album with one of my projects, Shadow Of The Beat.
The cover shows a jolly bunch of dust mites shoveling their loot up a
hill. I was very satisfied with the cover it took me ages to photoshop.
</Flashback>
The last couple of weeks I"ve been really out of the loop, itchy eyes,
running nose, the lots. And the usual allergy medicin just make drowsy.
So I went to the local communal witchdoctor center, and they probed my
veins with a huge metal spine-tentacle machine for many hours, at least.
The results are just in, and whaddayaknow. I"m highly allergic to house
dust - which, by large, is produced by and contains those devils the dust mites.
Naturally my off-balanced paranoia combined with mad genius skillz for
detecting possible pattern everywhere makes a horrible conclusion. Does
this mean I"m allergic to anything I put on my covers? What about the
tiger on the PixxelTyger cover? Am I allergic to tigers?
"I explained to them what I believe is right, that the principle is
that stealing music is stealing music. Frankly, right is right and wrong
is wrong, particularly when a parent is talking to a child. A bright
line around moral responsibility is very important. I can assure you
they no longer do that."
I read the Second Life interview transcript,
and he seems like an educated and well informed man. He"s probably not
evil, for what I know. But it doesn"t matter, I will gladly take this
totally out of context and say: Sue the fcuk out if him and his kids. Let the big guys taste their own medicine and put their money were their mouth is. He can just talk to them about morality, and then it"s OK? And then RIAA can run all their lawsuits against normal people? In particularly this case
where the big smart record companies suce a soccer mom because her kids
stole music. It doesn"t add up nicely, Edgar. Doesn"t add up.
I think most people would be moral, if given a proper
choice, and not threatened to it via lawsuits. The world doesn"t work
like that, EDGAR. Stop suing people. I wrote about this before.
H.P.
Lovecraft? Check. Film noir? Check. Stop-motion? Check. Burtonesque
visuals? Check. Creepy contemporary piano music? Check. Free download?
Check.
Visit TrickFilmNoir, and download Die Musik Des Erich Zann,
a haunting stop-motion short made by Anna Gawrilow. I really like her
philosophy and experiment on integrating contemporary and "difficult"
music with animation. A piece of contemporary music gets several new
meanings when used in this short. It benefits the animation very well.
The music in the short is made by Olav Lervik.
"The Music Of Erich Zann" is one of H.P. Lovecraft"s
best works. I am very fond of his spaced-out horror tales, but this one
is rather subtle (for Lovecraft, that is). No tentacles or abysses. You
can read the complete original story at Classic Reader.
Melodyne is the best realtime software for pitch, formant and rhythm
manipulation. Up until now, if you wanted to run this in sync with your
host, you had two choices, either via Rewire or via a cumbersome bridge
plugin solution. Now, you can have the whole application as a single
plugin, as many times you want in your host. Best part; if you already
own Melodyne Studio, it"s free. That"s pretty nice of them.
Here is a clip from the documentary "Before The Music Dies", a documentary about the current homogenization of popular music. I saw the film earlier this year during BIFF (Bergen International Film Festival). I think it is a very important film, and it"s very well put together.
At times, IMO, it becomes a bit biased and prejudiced, like the
filmmakers decided their view before starting the film, and they only
talk to people that will support that view. But that is quickly
forgiven, mostly because the problems and issues they investigate are
really important to be aware of. And the filmmakers fundamental love for
music really shines thru.
The clip above is a short segment that demonstrates how easy it is to
create a potential pop star. I guess most people already know how easy
this is, and that there several other aspects in creating and launching a
successful "music product". So it"s not exactly breaking news, but the
clip nevertheless illustrates the concept very well.
Posted December 1st 2006, at 08:43 with tags RIAA, drm, mp3, pirate
If you are remotely interested in the future of music, I"m sure you have picked up that RIAA, the "saviour of music" and high defender of DRM and everything else fucked-up, is suing your mom and your 1 year old sister and everyone else. Right now they are after an elderly survivor of hurricane Katrina, and they are calling some guy"s boss just to, you know, spread the word he"s a criminal.
Its pretty clear to me that they"re not really after the poor victims in
these cases. And to me it"s not really important if any of those people
are innocent or guilty of downloading illegal music. I covered a
sensible approach to that in a post about the germans.
Posted November 30th 2006, at 22:22 with tags No tags.
We're currently working on a huge remix of the
Free Jimmy music score and sound, for the DVD and soundtrack release. Read more about this and follow the progress
in our http-journal!
Not much to say about this product, except perhaps it"s very 2006-y. I"m not sure if this is cool in a cool way or cool in a lame way, but the manufacturer Charbay claim this as a "sipping-vodka". And I don"t mind that.
Posted November 30th 2006, at 11:12 with tags midi, sensor, photo
Can"t afford a burglar alarm? How about this MIDI sensor kit,
with photo sensor. Install it where your valuables are, wire the MIDI
cable to your home keyboard, select a suitable sound and turn it up to
11, and go to sleep. If you hear stealthy notes playing during the
night, someone"s after your silverware.
Not only a break-in alert, it also provides a suspenseful horror soundtrack to the experience.
I"ve really wanted to write an entry on this for some time, and I
finally got permission from the producers to talk. I"m currently working
on a remix of the Free Jimmy
soundtrack. Free Jimmy is the first computer animated feature from
Norway, and as always when Norwegians make animation with quirky
characters, they become cult classics.
Jimmy has not had international distribution yet, except the usual
festival tour, but it was a huge success in Norway this summer.
The story is, in short, about a circus elephant on drugs yearning for freedom.
Nothing much superexiting has happened today, so I started on a
meta-series I intented to do for some time; GMM Heroes. First out is the
legendary director/composer John Carpenter.
One late night in the early nineties, before the intertubewebs, when
Protracker had gotten it"s nightly dose, and school was looming in a few
hours, I was slouching in front of millions cable channels. Zapping
TV-shops and MTV Alternative in hopes of an FSOL video. Suddenly I come
across some guy with a patched eye and raspy voice flying a glider into
Manhattan-turned-prison. WTF? OMG! The atmosphere. The music. The city.
The bleak future. The lamp-posts on the limo. I was hooked. I was
experiencing Escape From New York.
More photos from the shooting of the Kosmonaut video.
Yesterday was the last day of bluescreen shooting, I popped in to take a
look and make a cameo appearance. I got to see some footage of the
breakers, captured on highspeed HD cam, this one guy doing a headspin,
it was amazing and literally dizzying.
The video now goes into the magic post-production period, the mysterious
area of film production where computers buzz and hum and make pixels of
everything and beep very fast and replace the blue with the sweet
goodness of CGI. I wish I could replace all the blue in my life with
CGI.
Czech with the utube goodness! Tob, the programmer of Nitrotracker for the Nintendo DS
is working on MIDI-over-WiFi technology for the DS, together with
someone called TheRain. Summarized; you can use your precious DS as a
remote MIDI controller.
Be sure to notice the pitch bend technique. Now that is the nerd"s way of bending the pitch, I tell ya. Work that stylus.
Somehow I realize the concept is exceptionally cool in theory, but going
up on a stage in front of an audience with it, is perhaps not. I mean,
tapping a stylus in rhythm makes you look like a biz exec worried about
stock market. Anyway, if a concept is cool in theory, it Must Be Done.
That"s just the code of the nerd.
The software is not released yet, but will be "soon" according to ze programmers.
At last something sensible. The german government has put a limit of 50 Euro on fines for downloading illegal music. This means huge music companies and their ice cold lawyers cannot sue a soccer mom for thousands of Euro if her kids download music of the net.
I do not like illegal sharing of music. I (try to) make a living off my
music. But I think the problem of filesharing and illegal downloads
exists and persists mostly because the music biz was waaay too late in
embracing and utilizing digital distribution. I mean, on one hand you
can get free music that works everywhere, with no problems, free of the net. And on the other hand, pay
for something full of DRMs and rootkits and problems and EULAs and
limits and no"s and don"ts and expiry dates. What do you think a person
would do, when given a choice between those two? I mean, IFPI and RIAA,
listen to me, you fucking numbskulls. What do you THINK?
You were too late. You came too late to the party. And then you started
yelling and making trouble and blaiming everyone else at the party,
because there were no food left. No wonder you"re not popular. What you
should have done, you should"ve apologized, somehow made up for your
lateness, and made sure everyone at the party had fun. Maybe even
ordered a pizza for sharing. People skillz, ever heard of it?
Whoa, we had a little steam-off situation there. But I really dislike
the senseless way record companies and IFPI/RIAA have attacked the
problem. I think they are hurting the music biz more than they are
helping. On a general level, I get provoked by stupidity and whenever I
hear something from their direction, it reeks of stupidity and
cluelessness. I haven"t experienced anything from them that ultimately
benefits music. It only benefits the pockets of a few
and themselves. Its good to see a sensible and real-life approach to the
problem from the germans. It"s a beginning. Sehr gut.
Posted November 24th 2006, at 11:38 with tags monster
I must confess I had my suspicions, and this guy certainly confirms
them. Living at the very bottom of the sea is no fun at all. Picture
from an Australian deep sea expedition.
Admire the above piece, it"s the Ugress Logo Painting! Now that is an alien I"d like to run into in a dark alley in a lost city on a strange planet. Created by graphics artist and Ugress fan Jostein Fox. Be sure to check out his Deviantart gallery for more amazing gfx.
The superawesome totallycustomizable touch-screen interface Lemur from french geniuses Jazzmutant is now upgradable to 1.6
in a public beta. A lot of new features in the interface, but for me
finally a must-have: The unit can now save the current setup, and
autoload it. So when powering up it automatically loads your painfully
created setup, and remembers your MIDI connections. Also on the host
computer, you no longer need to run the Jazz Editor, there"s a sweet
little client running in the background doing the MIDI routing. This
saves a lot of time when playing live, and especially if something goes
awry during performance.
If you do computer music, or computer VJing, or anything at all that
involves a computer, even typing your hollywood blockbuster screenplay
in Notepad, you MUST check out the Lemur. Any MIDI controller after
Lemur will look and feel like something discovered in a 2000 year old
grave in a temple in Myanmar; Ancient and stuck in a militant
dictatorship.
I got myself one last year, and at times I wondered if I could justify
the purchase. Especially since the first versions really had some bad
latency and crooky documentation, I was a bit nervous. But the Mutants
must be Golden Telepathy Ninja Mutants. Every software update has
increased the usability and value of the unit, and they are very
responsive and helpful in their forums.
My favorite sampler Kontakt
by ze germans Native Instruments was just updated to version 2.2. If
you are using the new Intel Macs this release is finally Universal
Binary, but for the old skool powerpc-crew there really isn't much to
celebrate. You can save and load groups, there is a new AHD envelope
mode for percussive/one-shot sounds, and some sliced loops enhancement
in Beat Machine. There's also some scripting updates.
However, the most interesting new thing is a new modulation source for
banging out a random value on each note-on. Well what do you know, I
actually programmed my own script to do this over a year ago. It was my
super secret method for making subtle variations on each note, or
rythmical changes on each note without a lot of programming hassle. And
now, it's available for all to utilize. What a disaster, it was to be my
secret signature sound. I have to start all over on the next Ugress
album.
This thing pictured above is interesting, but not immediately because of what it does. It is a USB widget called InstantVideo To-Go
that speeds up compression of various video formats, for example
compressing a DVD into iPod formatted .H264 video in around 20 minutes.
Meaning, there is specific hardware magic in that stick that is much
better then your all-purpose CPU at doing what it does.
If you do a lot of video codec translating it's a must-have. But for me, the concept
is much greater than the widget itself: Dedicated processing power for
specific tasks, hot-pluggable via USB. Imagine the possibilities! For
example for my life as a computer based musician/producer, someone can
make a realtime FFT (Fast Fourier Transform) processing device, or a VA
(Virtual Analog) DSP, or whatever it is that usually eats up your CPU
juice. And you can expand your audio system after your needs. I tell
you, the future, the future. Don't miss it.
Good news for http radio lovers. I've uploaded all Uncanny Planet Records releases to the internet radio channel Last.FM. You can now listen to any UPR album in streaming format, including the "Film Music - Selected Cues 2002-2006"
album, only released for promotional use earlier this year. The album
consists of various film music I did the last four years. You can either
listen to it all directly from the webpages, or tune in via the downloadable Last.FM radio-station app.
If you are not familiar with Last.FM take a look at the Wikipedia entry for a catch-up.
This is very interesting. It seems a lot of the sample cases in the
previous years was NOT done by the sampled artists or their company, but
rather by a single individual or company out to make fast cash. Slate
has an excellent article "The Shady One-Man Corporation That's Destroying Hip-Hop" you MUST read, here is an excerpt:
Bridgeport is an unwelcome addition to the music world: the "sample
troll." Similar to its cousins the patent trolls, Bridgeport and
companies like it hold portfolios of old rights (sometimes accumulated
in dubious fashion) and use lawsuits to extort money from successful
music artists for routine sampling, no matter how minimal or
unnoticeable. The sample trolls have already leveraged their position
into millions in settlements and court damages, but that's not the real
problem. The trolls are turning copyright into the foe rather than the
friend of musical innovation. They are bad for everyone in the
industry—including the major labels. The sample trolls need to be
stopped, either by Congress or by court rulings that establish sampling
as a boon, not a burden, to creativity.
Ugress video news: I'm just back from a visit at the shoot for the Kosmonaut
music video, and here's some pullitzer-winning spy shots from my cell
camera. The above photo is the beginning of a huge piece that is
(besides pants-wettingly nice) a central background element for the
video - as far as I know. It's done by Jørgen and Anders.
The video is directed by Svein Sund and produced by Yesbox.
They are currently shooting backdrops and greenscreens and bluescreens
and windscreens and I don't know what but it looks sweet. They are even
using overhead projector. I'm happy just staring at that backdrop. The
story behind the video is food for another post another time. It started
out as a video for Binary Code... I will post updates on the video as
it progresses.
Posted November 17th 2006, at 22:22 with tags No tags.
In
case you didn't notice, to your upper right, there is a link to our top
secret blog, now in public beta. It is not exclusively dedicated to
Ugress, but naturally many of the posts will be related to Ugress since
it is my main project. For example
this post about the album progress so far. In that post there is also a nice little preview of everything made so far, in form of an "iTunes signature".
In Stavanger, a small fishing village a few hours south of my hometown Bergen, Article, a biennial of electronic and unstable arts is currently going down. Simon Morris contributes with Musique Concrete,
an exhibition where skateboard + wireless interface + topmodern sensors
culminates in the opportunity for YOU to make music by skateboarding.
Via We-Make-Money-Not-Art, check out the post, there are links to other musical skateboards.
Check out these crazy over-the-top communist-themed gifts given to
leaders in the soviet union world. The Kremlin Museum is currently running an exhibition named "Gifts to Soviet Leaders".
"From each according to his ability, to each according to his need", wasn't it...
Posted November 17th 2006, at 11:52 with tags mp3, drm, bitrate
UPDATE:I
realize this poll is going to drown in the upcoming posts, so moved a
copy of the polls up on the right sidebar. It's the same as this one,
you can change your vote anytime, but only one vote pr you counts.
I'm working on a system for selling high quality mp3's of my music on my
websites. It's gonna be good and there is gonna be no stupid DRMs, just
high quality mp3 goodness. I was just wondering what kind of bitrate
everybody prefers. If you would take a minute and clickety click your
opinion, I'd be very happy and even smarter after some time.
I just learned this jawdropping timesaver trick from DanRad over at the Sonikmatter
Logic forum (registration required). Basically it's this: The MOTU
Traveler (and probably the rest of their Firewire family) has an option
called "Return Mix 1-2 to computer". This means the output of everything
you do (on submix 1) is returned on a virtual input pair, in my case
input 13-14 in Logic.
If you set this up in Logic for record, arm that track, mute the input
to avoid überfeedback, your recording and resampling workflow changes
fundamentally. Especially if you're like me, who often resample your
work to do meta-effects on the song itself, and work with rewire,
external synths, samplers and FX.
No more bouncing, no more recording of rewired Live, external synths and
FX, just put them in via External Instrument plugin, and instead of
first recording the synth, then do a bounce, now simply hit record on
your return channel. The "bounced" material appears right in front of
your eyes, ready for further editing. No re-importing, no audio finder
window searching, no drag and drop.
I believe the RME stuff also has this digital return feature (mentioned in the thread), and I'm sure others too.
Posted November 15th 2006, at 11:56 with tags wifi, midi
What's better than wireless internet? Wireless MIDI!
At last something usable from M-Audio. Suddenly every MIDI fitted
instrument and controller became portable and performance-able. The only
thing missing now is wireless electricity, and that's just around the corner.
Posted November 15th 2006, at 11:56 with tags drm, mp3
I don't like DRM. I love to purchase music online, and especially from places like Bleep
that sells high quality DRM free mp3s. But sometimes I have to buy from
iTunes because they are the only one carrying what I want. And then the
trouble starts. I can't copy it over to my Nokia N91 phone/mp3 player
without insane amounts of stupid workarounds and loosing the tags and
all the blah blah. Until... now.
DRMDumpster automates
the beforementioned insane amounts of workarounds, all you need is a
CD-RW. This programs scours your library for DRM songs, burns them to
the disc (perfectly legal) and reimports them with all tags, images,
titles and all the blah blah. If you have more than one album (good for
YOU) it just erases the CD and continues until done. Granted it costs
you a re-encodement of the music, but depending on your settings this
should theoretically be negligible.
Posted November 14th 2006, at 11:58 with tags web, 1990
According to Norwegian law, today you can screw the internet and its OK. The first http page ever (scroll down to 1990 for info) dates from Nov 13th, 1990, meaning WWW is 16 today.
Posted November 13th 2006, at 11:59 with tags zune, mp3, drm
It seems I should make a category for MUSIC BIZ IDIOTS in this intertube
http-journal. Because they just seem to become dumber and dumber, I
can't believe they are still walking after shooting themselves in their
feet so many times.
Anyway, this time it's Doug Morris talking about why they (Universal Music) gets a share for each Zune sold:
"These devices are just repositories for stolen music, and they all know
it," UMG chairman/CEO Doug Morris says. "So it's time to get paid for
it."
Japan: A 73-year-old bar manager who illegally performed copyrighted
tunes by the Beatles and other artists on the harmonica was arrested
Thursday on suspicion of violating the Copyright Law, police said. (Via Joi Ito .)
I am speechless. Luckily, not typeless, so i managed to type this.
I love it when stuff I have suddenly increases their value because of
external circumstances (there must be a word for that?). In this case,
my love/hate relationship with my #!"#! XSKey turned into a sudden
burst of rosy love. I just got myself a Roland D-550, and it sounds
retrobeautiful but it's a bitch to program. Then because my brain
sometimes actually works, I remembered one can get the superbad
universal MIDI librarian/editor Sounddiver for free - all you need is an XSKey. So if you have Logic Pro, you also have Sounddiver.
The program was originally developed by Emagic, but after Apple
purchased them, Sounddiver apparently became discontinued. However they
offer a public beta for use if you got dah magic key.
No more scientific two-line synth-geek LCD programming, its topmodern
computer interface click point drag and drop dead all the way baby!
Here's a mind boggling recipe for future awesometotalness.
1. Check out this upcoming Photosynth software
from Microsoft. It takes a bunch of photos from and around a location,
analyzes them, and creates a 3D world of the place for you to navigate
around.
How incredibly sweet is it going to be when you zoom into a location on
Google Earth, and when you get down to building level, the surroundings
are highly maneuverable and photo-realistic recognizable based on a
photosynthesized 3D rendering based on GPS located photos from
EVERYBODY'S uploads . Ka-zza-wazzingh! That was the sound of your brain
rebooting.
For my new lovechild-project PixxelTyger
(which i keep typing TigerPyxxel all the time) I just got myself a
Roland D-550, the rack version of D-50. It's totally awesome sweet, and
really, not just the 2006 meaning of sweet but the original meaning of
"sugar-like". I think the samples are 32 khz 12 bit or something like
that, refreshingly lofi, and it has the most beautiful antialiasing (or
lack of, depends on your nerd-level) I have ever heard. Subtle, yet
appearant, with a hint of innocence. Also the internal reverb is so
digital, so exuberant and so naive! I could say "it
tastes like a virgin" but that could be misinterpreted and i wouldn't
really know anything about that I just read the phrase somewhere.
AFAIK, D-50 and D-550 was one of the very first romplers.
My theory of why they sound so darn good, is because this was the first
rompler evah. Roland didn't know of any corners they could cut, so they
didn't. And any rompler/PCM based synth made since
these, really just was about making better profit, bigger savings and
more customers on newer technology, and therefore sounds crap.
To learn more about this fascinating part of early digital music technology visit Synthmania's D-50 page, with tons more information and a lot of sound examples.
I've been really really nice this year. I made many good songs, and I
put the out for free on my websites. I also didn't sample much, at least
not so it's possible to hear. I also washed the coffee cups in the
studio. Could i please please please pleeeeaaaase have one of these
train controllers for xmas? I promise to only use it in the studio as a
MIDI controller via Max/MSP.
Posted November 10th 2006, at 12:04 with tags faq, comments
Update Feb 15th, 2007: Comments now implemented.
The truest reason is because I quite simply haven't got the time for
maintaining it, both content-wise by following up comments, and
moderate-wise, by fighting spam and irrelevant posts. As of right now I
try to fit in time to write on average one entry a day, and more than
that I really don't have time for. And goodness gracious me, that is too
bad, because usually there is so much to write about I have to
prioritize. I'm running a secret laboratory here, there's no time for
http chats! If you need to get in touch my email is on the left.
Perhaps when the next Ugress album is out, if there will be a lot of
touring I could open up a comments system, because then I would have a
lot of dead time / travel time / waiting time to fill up.
Technically I also would have to build it. I see there are some web 2.0 /
ajax tools for implementing a comments system via third party
scripting, but I prefer having the comments in my own database, and
building my own system. So I would also need the time for building it,
and I have some bigger "community" plans for ugress.com version 4, and I
would prefer to build it all into a complete planned package instead of
randomly tacking on stuff here and there.
And of course - this journal is, like everything else, in public beta.
Some clever american scientists has resurrected a million year old virus Now that's clever, veeery clever. Maybe Jurassic Park should be a compulsory part of biology studies from now on.
I've just about had enough of the stupid, stupid, stupid, stupid,
money-loving, music-destroying, no-good-for-nobody entropic
self-mutilating record companies,
I'm just so mad I really could throw something like a rotten fruit on
them. Twice. Or maybe just lay down and die dramatically. But I don't
think they'd come rushing to check if I'm ok. See how evil they are?
The record companies are just wrong, always wrong, they are doing it
totally wrong, they have always been doing it wrong, and they always
will. We hates them, does we, hates hates hates nasty bling-bling orcs.
Introducing yet another sideproject. PixxelTyger
is frantic pastel retrosymphonia and plastic time-pastiche, every
ingredient is exclusively select from a highly representative super
sonic definition of the melodies and the 14 bit frequencies of the first
era of digital music: The neverending 80ies.
Pastel retrosymphonia and plastic timepastiche,
every ingredient is exclusively select from a highly representative
super sonic definition of the melodies and the 14 bit frequencies
of the first era of digital music.
Four superfresh tracks just waiting for your excitement and trembling to slow down enough so you can hit this link with your mouse. Did you just think Ugress is the c00lest h77p l33t? Don't worry, that's ok.
Finally the Zebra 2 synth from the great indie developer Urs Heckman is out, and i am very intrigued by this synthesizer. In fact, I love it. Most important of all, this is software with really great sound, and in addition it has so many possibilites for sound mangling and manipulation!
The Zebra 2 synth is the responsible for a lot of the sounds in the NBPD Theme song, on the Retroconnaissance EP released by Ugress. Also it takes care of camouflaging itself as a 80ies synth in my PixxelTyger sideproject.
And I am most excited by the mentioned possibility of featuring sampling in a future update, or in a new product.
PSP Rhythm (now in version 6.1)
is a great great great addition to Sony PSP. But most people must
become criminal haxx0rs to run it alongside the newest games. Why, Sony,
why do you not make it easy for the homebrew community to utilize the
PSP. I know you don't make any money on the hardware so you need to
protect the software (read: games) from illegal copying, but do you not
see how much this unit could thrive if it was easy to develop and
distribute homebrew, amateur and semi-pro software?
DRM/copy protection/shortsightedness is going to kill you all,
money-loving-scum. And I get so frustrated because you won't understand
why your greed killed you.
R.
Luke DuBois, an american laptop composer programmer, has with the help
of Max/MSP made a CD that consists a "timelapse phonography" of all the
hits topping Billboard Hot 100 between 1958 and 2000. He has developed
an algorithm that computes and reduces each song to a one-second
snippet, and then plays the snippets relatively to how long the song was
at number one.
That is one easy sample-infringement case for a greedy lawyer representing everyone having a hit the last 42 years!
Posted October 1st 2006, at 12:16 with tags ugress, album
As of today, the third Ugress album has been in the making for exactly 365 days. There are mindless statistics available. Except from a months time in April and May, when I released the Shadow Of The Beat album,
I've been working constantly on it, on average 8 hours a day, 7 days a
week. There are over 100 songs so far. And its still far off. Why isn't
it finished?
Coming from a tracker background i will always miss the speed and
convenience of "spreadsheet music". The worst part of modern sequencers
is the high level of abstraction needed for sometimes incredibly simple
tasks. Give me Protracker and the A command anytime over automating the
release stage of the amp envelope!
My favorite modern tracker is Renoise, available as UB for OSX. Those
indie guys never stop to amaze me. With version 1.8 now in beta, they
introduce a proper mixer, and a bunch of other tracker snacks .
I recommend this music-playing piece of crash-happy shit and especially since Nokia opened up for software system updates over the http-web . The N91 is the first cellphone I am truly fond of because:
-Its a phone and a mp3 player and it works very very well for that
-It has a 3.5mm minijack so you can plug in whatever headphones you want
-It has 4 gig for music
-The music player interface is ipod-quality
-It has a standard USB port
-When plugging it into my powerbook its just a 4 GB regular external harddrive
-Its 3G, Edge, GSM and works like a charm as a 3G bluetooth modem for my powerbook
-Its a good enough camera for my sloppy use
-Its large, I never misplace it (kid you not, i lost a lot of phones because they disappear from view)
I must stress the importance of normal plugs, wires and no-driver-needed
disk and modem usage. I hate stuff with proprietary solutions. But:
-It crashes/freezes/restartes (but less often with newer system updates)
-The microphone is dodgy and sometimes cuts out
-Music library sometimes screws up
-Phone OS navigation is sloo-oo-ooow
-USB disk mode transfer is slo-ow
-Battery is not impressive, but in 2006 you are never more than 50 feet away of a nokia charger no matter where you are
If you are as smart and chic as me and wield this monster of a portable phone, be sure to grab Opera Mini.
It reformats webpages remotely before sending it to the phone, so you
save time, bits, money and screensize. And check out the N91-Mac blog if you got a mac for good info.
By adding a Sampler to their newest version, Ableton Live 6
(out now) suddenly became very interesting... Previously I've only
used Live for its literary meaning - on stage, where it really shines.
Many of the new features in 6 will make live use even sweeter. However,
I've been betatesting it for a few weeks now as a production tool, and I
think it's starting to come together as a total package for music
performance and creation. There are some things that really annoys me,
coming from Logic, but also many things that impress me, and for the
first time in Live's history, this balance between annoyances and xxx
flats out.
Ableton Live is soon out in version 6, and Rob King's PlayLive or remote controlling Live over Wifi with a PSP, is soon out for Mac. These are very exciting times!
Mr Dylan is one of the worlds greatest songwriters and poets, no doubt
about that. Now he has spent some time in his home studio (pictured
above), trying to get just the right "sound all over" sound so prominent in modern recordings.
UPDATE: Createdigitalmusic has a Bob Dylan quote contest where these excellent CD stickers from Swedish designer Arru appears.
Posted August 19th 2006, at 22:22 with tags No tags.
We venture outside the soundproof walls of the studio and make an exclusive charity appearance: September 1st we play at Garage to support the Rafto Foundation for human rights. Its going to be most awesomest. We'll play a bunch of new stuff.
Other artists contributing are Heidi Marie Vestrheim, Josefin Winther,
The Owens, Esther. Sissy Wish is your DJ. Doors open 2130, first band at
22, we play last, around midnight. CC is only 60 NOK.
I put some of the Ugress videos up on youtube
, as well as a 4 minute clip with video excerpts from live shows. If I
could figure out how to inject the youtube html code into this blog
editor i'd put a video into this post, but seems like i have to get my
hands dirty and do it manually. And i'm too lazy.
A Coca Cola commercial in GTA style! I wish my life was this exiting
every time i go to get a refreshment from the sugarwaterdispenser in the
studio. Here is a better fidelity version (and some more information) than the current youtube craze.
Posted August 9th 2006, at 12:32 with tags superhero
I just have to say it. Superman, its by far, the dullest and least
impressive superhero ever. He is dedicatedly boring as a real life
person and tastelessly smug as a hero. He's even duller than
milk-drinking The Phantom. Luckily there are real superheroes.
I came over this godzilla of a synthesizer in Japan (via the excellent used-items webservice of Ishibashi Music),
and for a super-nice poor-musician-price I finally got to buy my
teenage long distance synth-crush. Not because I really need this now,
but because I wanted this synth so badly when I was a kid in the 90ies. I
remember i picked up the brochure from a dealer, I just kept reading it
and reading it and looking at the pictures and memorizing the preset
titles and SO wanting it. But I could not afford it.
Until now, and it's mine, hahaha, miiiiine, finally, precious, it's all
ours, yes, nice synths. It's got a gazillion buttons and faders, looks
the works, and should theoretically be a dream to program, but it's not
really that clever. You have to select which of the four parts of the
sound you are currently programming, and this is done rather awkwardly.
The sound of this Verhoeven-looking piece of synth, I would sum it up as
totally 90ies new-age-ish. There's an ethereal glaze over all the
sounds, so its totally not usable for hammering analog synths, but I got
that covered elsewhere. Aaaanyway, if you want to know interesting
things about this synth, what it sounds like and who used it for what,
check out Gilberto Strapazon's JD800 fan page. (Another 90ies phenomena...)
I just programmed a script for my favourite sampler Kontakt 2 so i could
make host tempo (the tempo of a song) a modulation source for whatever i
fancied. The idea was to change the character of beats dependent of the
songs tempo, so when going around in a lazy 90 bpm, the beats are soft
and slow, but when adjusting the tempo towards 150 bpm the beats should
gradually change character from soft and slow to hard and punchy.
Of course it sounds like shit. But the concept is executed, mission
accomplished, the script works, and hopefully I'll put it to good use
some day, and probably in a way i never thought of.
I am currently diving into and learning myself Max/MSP. I've been
meaning to do it for years, but finally there are two important reasons -
one that I'm going to change the live visuals from Arkaos to Jitter,
and secondly because i'm going to use a top secret weapon when playing
live, and to do this i have to write a translating patch in Max,
converting signals from Sony's Playstation 2 controllers to MIDI.
I prefer NI's Reaktor to sound programming and mangling, so i am
not looking into the MSP bit yet, other than to pick up some tricks.
Good news for the music-business minded and the long term planner: We
managed to arrange a solution to buy back the complete Ugress catalogue
from my former record company Tuba Records. That means, all masters,
videos, prints, graphics, posters and not to forget MUSIC is now utterly
completely MINE, for the rest of eternity.
Or, naturally, until somebody offers me a tastelessly huge amount of cash to buy it.
I've kicked out my broadband connection and by July 1st, are moving
completely over to 3G and a completely nomadic lifestyle. From now on
my crash-happy N91 are my bluetooth umbilicadigital chord. Most of the
time I find myself in 3G covered areas, and there are WiFi spots in
bars, cafes all over the place. Also, if you live in Bergen, note that Bergen Offentlige Bibliotek
(the public library) has free WiFi. I did some testing in June and
mostly i get 300k link, good enough for email and sporadic surfing.
I figured, if I'm going to download or upload something huge, why not have a beer while waiting for it.
Here is a list of music software one quite clearly should not live
without, or at least if one wants a happy digital life. At the moment,
in some kind of order, but i can't explain it.
Apple Logic Pro, for sequencing, synthesizer programming, mixing and composing.
Commodore 64 , it just works, fast loading of the OS
Faderfox , very portable, very stable, very German
These are the things one quite simply could not live without. I have a
lot of other stuff, but its mostly trash and if I could take 1000 things
to a deserted island for a two-day stay, i wouldn't, i would just take a
laptop and a solar panel.
I
am SO interesting. Interesting interesting interesting. I am so sure
everybody on this planet is just DYING to read about me, what I do, and
what I care about. Let's procrastinate together!
Posted April 26th 2006, at 22:22 with tags No tags.
A new record company see's the grim digital light of the day!
Uncanny Planet Records, Ugress' very own beautiful label, celebrates its sudden appearance by announcing the immediate release of Nanokaravan, May 8th. This is the debut album from another Ugress sideproject,
Shadow Of The Beat. Go visit them and feast on free downloads. And then buy the album or die.
Posted March 21st 2006, at 22:22 with tags No tags.
All
work and no play and no cocktails makes Jack a dull boy. This Thursday,
the 23rd, Ugress under alias DJ Superballoon and together with the
excellent
DJ Haans swoops into the beautiful parts of their vinyl collections and plays lounge, exotica and easy listening at
Kamelon nightclub, Bergen.
Posted January 17th 2006, at 22:22 with tags No tags.
Ugress is working like crazy on the next album, but it will take some time... In the mean time, why not enjoy the free new Sophisticated Wickedness EP with easy electronic crimestyle manoeuvres. Nothing violently dangerous, just nice, beatsy gangsterlounge.